Nas - Life Is Good Deluxe Edition
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Tracks
1. No Introduction
2. Loco-Motive
3. A Queens Story
4. Accident Murderers
5. Daughters
6. Reach Out
7. World'S An Addiction
8. Summer On Smash
9. You Wouldn'T Understand
10. Back When
11. The Don
12. Stay
13. Cherry Wine
14. Bye Baby
15. Nasty
16. The Black Bond
17. Roses
18. Where'S The Love
2. Loco-Motive
3. A Queens Story
4. Accident Murderers
5. Daughters
6. Reach Out
7. World'S An Addiction
8. Summer On Smash
9. You Wouldn'T Understand
10. Back When
11. The Don
12. Stay
13. Cherry Wine
14. Bye Baby
15. Nasty
16. The Black Bond
17. Roses
18. Where'S The Love
Note
Digipack Cd
All Music Guide
That'S Nas' Ex-Wife Kelis' Wedding Dress On The Cover: She'S A Fellow Recording Artist, The Two Have A Kid Together, And She Wasn'T
Consulted About The Album Cover Or The Album Itself. Life Is Good Is That Kind Of Album, And For The Moment, Nas Is That Kind Of Gu
Y. He May Have Recorded Some Game-Changing Albums Early On, And His Recent Collaboration With Damian Marley, Distant Relatives, Was
Vital As Well, But This Puff-Chested Bitch Session Is A Completely Different Animal, Coming Off As Marvin Gaye'S Here, My Dear, Alt
Hough This One Prefers Playing To Radio Over Playing It As Landmark Disc, And Prefers Swaggering Over Staying On Topic. Know That He
'S Willing To Take All The Credit For His Own Illmatic Here, Too, Boasting That He'S The Best In The Game Before Shooting Insults At
Easy Targets And His Ex-Wife/Father-Of-His-Children, Who Never Should Have Left Because As "Roses" States, "I'M An Ass Magnet." Thi
S Trashing Without Rebuttal Is Worth Arguing About, And Snarky And Vicious Aren'T Admirable Qualities, So The Best Way To Approach T
His Unfiltered Carpet Bombing Of Love And Marriage Is Thinking About How Heartbreak Can Make A Man Go Cold (808S & Heartbreak)
Or In This Case, Irresponsibly Start Fires. Well-Funded Fires, Too, As Swizz Beatz'S "On To The Next One" Soundalike "Summer On Sma
Sh" Gives Nas A Bona Fide Club Killer, And When It Comes To Headlines, That'S The Late Amy Winehouse On "Cherry Wine" In One Of Her
Last Recordings -- On A Track As Intoxicating As Its Namesake. Don'T Let That Vicious Guy On The Cover Know That A Woman Also Assis
Ts On The Album'S Other Truly Rich Moment, With Mary J. Blige In Top Form On "Reach Out," While Rick Ross Winds Up The Album'S Top T
Hug Thanks To "Accident Murderers," A Majestic Street Track With No I.D. On Production And A Reference To Illmatic'S Jerome Characte
R, Even When Bringing That One Up Is Sticky, Seeing As Life Is Good Isn'T Even In The Same Ballpark. Still, Nas Doesn'T Seem To Care
, Putting A Jim Jones-Styled Blast Of Boss Talk Called "Nasty" On The Same Album He Pulls The Heartstrings On With The Well-Written
Personal Number "Daughters," But He Sells It All, Delivering Everything Here As If Its Classic Status Was Assured And Will Never Fa
Ll Into An Embarrassment Trap, As Long As The Cover Art Isn'T Brought Into The Debate. If The Game Needed Illmatic, This Is The One
Nas Needed To Get Out Of His System, Acting As A Clearinghouse For All Venom And Bile, Plus Some Gloss That Doesn'T Fit But Needed
To Go As Well.
All Music Guide
That'S Nas' Ex-Wife Kelis' Wedding Dress On The Cover: She'S A Fellow Recording Artist, The Two Have A Kid Together, And She Wasn'T
Consulted About The Album Cover Or The Album Itself. Life Is Good Is That Kind Of Album, And For The Moment, Nas Is That Kind Of Gu
Y. He May Have Recorded Some Game-Changing Albums Early On, And His Recent Collaboration With Damian Marley, Distant Relatives, Was
Vital As Well, But This Puff-Chested Bitch Session Is A Completely Different Animal, Coming Off As Marvin Gaye'S Here, My Dear, Alt
Hough This One Prefers Playing To Radio Over Playing It As Landmark Disc, And Prefers Swaggering Over Staying On Topic. Know That He
'S Willing To Take All The Credit For His Own Illmatic Here, Too, Boasting That He'S The Best In The Game Before Shooting Insults At
Easy Targets And His Ex-Wife/Father-Of-His-Children, Who Never Should Have Left Because As "Roses" States, "I'M An Ass Magnet." Thi
S Trashing Without Rebuttal Is Worth Arguing About, And Snarky And Vicious Aren'T Admirable Qualities, So The Best Way To Approach T
His Unfiltered Carpet Bombing Of Love And Marriage Is Thinking About How Heartbreak Can Make A Man Go Cold (808S & Heartbreak)
Or In This Case, Irresponsibly Start Fires. Well-Funded Fires, Too, As Swizz Beatz'S "On To The Next One" Soundalike "Summer On Sma
Sh" Gives Nas A Bona Fide Club Killer, And When It Comes To Headlines, That'S The Late Amy Winehouse On "Cherry Wine" In One Of Her
Last Recordings -- On A Track As Intoxicating As Its Namesake. Don'T Let That Vicious Guy On The Cover Know That A Woman Also Assis
Ts On The Album'S Other Truly Rich Moment, With Mary J. Blige In Top Form On "Reach Out," While Rick Ross Winds Up The Album'S Top T
Hug Thanks To "Accident Murderers," A Majestic Street Track With No I.D. On Production And A Reference To Illmatic'S Jerome Characte
R, Even When Bringing That One Up Is Sticky, Seeing As Life Is Good Isn'T Even In The Same Ballpark. Still, Nas Doesn'T Seem To Care
, Putting A Jim Jones-Styled Blast Of Boss Talk Called "Nasty" On The Same Album He Pulls The Heartstrings On With The Well-Written
Personal Number "Daughters," But He Sells It All, Delivering Everything Here As If Its Classic Status Was Assured And Will Never Fa
Ll Into An Embarrassment Trap, As Long As The Cover Art Isn'T Brought Into The Debate. If The Game Needed Illmatic, This Is The One
Nas Needed To Get Out Of His System, Acting As A Clearinghouse For All Venom And Bile, Plus Some Gloss That Doesn'T Fit But Needed
To Go As Well.