Miles Davis - The Man With The Horn

1. Fat Time
1. Fat Time
2. Back Seat Betty
2. Back Seat Betty
3. Shout
3. Shout
4. Aida
4. Aida
5. Man With The Horn, The
5. Man With The Horn, The
6. Ursula
6. Ursula

The Man With The Horn Introduces Yet Another Striking Band, Featuring Future Leaders Such As Reedman Bill Evans, Guitarist Mike
The Man With The Horn Introduces Yet Another Striking Band, Featuring Future Leaders Such As Reedman Bill Evans, Guitarist Mike
Stern, Bassist Marcus Miller And Drum Innovator Al Foster. The Opening "Fat Time" Combines Miles' Love For The Flamenco Airs And
Stern, Bassist Marcus Miller And Drum Innovator Al Foster. The Opening "Fat Time" Combines Miles' Love For The Flamenco Airs And
Melodic Gravity Of Spain With A Contemporary Hard Funk Style. Evans And Stern Act As Virtuoso Foils, A La Coltrane And Hendrix, The
Melodic Gravity Of Spain With A Contemporary Hard Funk Style. Evans And Stern Act As Virtuoso Foils, A La Coltrane And Hendrix, The
Latter'S Influence Apparent In Barry Finnerty'S Boiling Clouds Of Distortion On "Back Seat Betty" (Which Settles Into A Coy, Laid
Latter'S Influence Apparent In Barry Finnerty'S Boiling Clouds Of Distortion On "Back Seat Betty" (Which Settles Into A Coy, Laid
Back Blues Vehicle For Miles' Muted Horn), And A Rivetting "Aida," In Which Miles Reprises The Rhythmic Tumult Of His Mid-'70S Band
Back Blues Vehicle For Miles' Muted Horn), And A Rivetting "Aida," In Which Miles Reprises The Rhythmic Tumult Of His Mid-'70S Band
With Dramatic Give And Take Between His Horn And A Fiery Guitar-Driven Vamp, As Al Foster Thunders Away Underneath.
With Dramatic Give And Take Between His Horn And A Fiery Guitar-Driven Vamp, As Al Foster Thunders Away Underneath.
Miles, The Avant Garde Experimentalist Of The '70S, Never Revealed His Affection For Pop Music And Song Forms We Hear In The
Miles, The Avant Garde Experimentalist Of The '70S, Never Revealed His Affection For Pop Music And Song Forms We Hear In The
Sentimental R&B Devotionals Of The Title Tune Or The Straight Up Funk Of "Shout." But In Closing, As If To Reasure Us, The
Sentimental R&B Devotionals Of The Title Tune Or The Straight Up Funk Of "Shout." But In Closing, As If To Reasure Us, The
Swinging, Medium-Tempo Walking Blues "Ursula" Suggests That No Matter The Setting Or Historical Milieu, Miles Davis Always
Swinging, Medium-Tempo Walking Blues "Ursula" Suggests That No Matter The Setting Or Historical Milieu, Miles Davis Always
Remains...Miles Davis.
Remains...Miles Davis.
Recorded At Cbs Studios, New York, New York.
Recorded At Cbs Studios, New York, New York.
Personnel: Miles Davis (Trumpet); Randy Hall (Vocals, Celeste, Moog Synthesizer, Guitar); Bill Evans (Soprano & Tenor
Personnel: Miles Davis (Trumpet); Randy Hall (Vocals, Celeste, Moog Synthesizer, Guitar); Bill Evans (Soprano & Tenor
Saxophones); Robert Irving Iii (Piano, Keyboards); Mike Stern, Barry Finnerty (Guitar); Marcus Miller, Felton Crews (Electric
Saxophones); Robert Irving Iii (Piano, Keyboards); Mike Stern, Barry Finnerty (Guitar); Marcus Miller, Felton Crews (Electric
Bass); Al Foster, Vincent Wilburn (Drums); Sammy Figueroa (Percussion).
Bass); Al Foster, Vincent Wilburn (Drums); Sammy Figueroa (Percussion).